Collection: Wedding Guest

Wedding guest dresses have to do something quietly difficult: look considered enough for the photographs, comfortable enough for a fourteen-hour day, and never once pull attention from the bride. This edit is built around that brief — occasion dresses in satin, chiffon and lace, cut for real British weddings, from a February register office to an August marquee.

Thirty-two styles, in UK sizes 6 to 26, with free UK delivery and free 14-day returns on every order.

Start with the venue, not the dress

The single most useful question is where you will actually be standing. A church in March and a vineyard in July ask for different things, and it is the reason so many wedding guest outfits look slightly wrong in photographs.

  • Summer and outdoor weddings — chiffon and lighter satins, floaty rather than fitted, in the pastels and brights that hold up in strong daylight. Watch the grass: a full-length hem and a stiletto are a bad pairing on a lawn.
  • Winter and evening weddings — heavier satin, deeper colour, longer sleeves or a piece you can layer. Our satin styles photograph richest in low light, which is where most receptions end up.
  • Church and cathedral ceremonies — shoulders covered, hem at or below the knee, and nothing sheer through the bodice. Several of our chiffon maxi styles come with a capelet or ruffle sleeve that solves this without a separate cover-up.
  • Register office and city weddings — a midi rather than a maxi reads better against a modern room, and works again afterwards.

Colours that work, and the two to avoid

The rules are shorter than people think. Avoid white, ivory and cream, which belong to the bride. Avoid anything close to the bridesmaid palette if you know it — standing accidentally colour-matched to the bridal party is the most common wedding guest mistake.

Everything else is open. This edit runs heaviest in black, then beige and champagne, yellow, pink, blue and green. A green wedding guest dress has become the most requested colour of recent seasons in the UK, and sage, emerald and olive all photograph beautifully against both stone and greenery. Pink and dusty rose stay reliably flattering across skin tones. Yellow is the summer risk worth taking, and butter yellow in particular has moved from niche to everywhere.

Black at a wedding is no longer controversial, with one caveat: keep the fabric rich and the shape occasion-led. A black satin maxi reads elegant. A plain black shift reads like you came from work.

Silhouettes, and who they suit

Most of this edit is floor-length, with a handful of midi styles. Within that, the shapes divide clearly.

Ruched and bodycon styles follow the body and smooth through the middle. They photograph sharply and suit anyone comfortable in a fitted line. A-line and chiffon styles skim instead of cling, which is the easier choice for a long day of sitting, standing and dancing. One-shoulder and halter necklines give structure at the top without covering the arms. Backless and cowl-back styles keep the front simple and put the detail where the photographer will be standing during the speeches.

If you are between choices, a chiffon A-line maxi is the safest wedding guest dress in this edit. It suits the widest range of shapes, survives a warm marquee, and does not need shapewear.

Mother of the bride, and mother of the groom

Mother of the bride outfits carry a different brief again: more coverage, a longer sleeve, a fabric with some weight, and a colour that stands slightly apart without competing. Our satin maxi styles with sleeves, and the chiffon styles with a detachable capelet, are the natural starting points here — they give you the formality the role expects while staying comfortable through a receiving line and a sit-down meal.

The same applies to mother of the groom. Where the two families are co-ordinating, agree the colour family before either of you orders, and order early enough to swap if the shades clash in daylight.

Sizing, petite and plus size

This edit runs from UK 6 to UK 26, including the wider W fittings, and some styles are sold in letter sizes from XS to XXXL. Our full measurements for both, in centimetres, are on the size guide.

Our dresses are true to size. Between two sizes, take the larger in satin and chiffon, and your usual size in anything with stretch. If you are petite, look to the midi styles first: a floor-length hem designed for 5'7" will need taking up, and a bad hem is the fastest way to make an expensive dress look cheap. If you are plus size, the ruched and A-line styles hold their shape best across the widest range of measurements, and several run to UK 26 in the same colours as the smaller sizes.

For maternity, the empire-waist and A-line chiffon styles have the most room to grow into, and a lace-up back gives you roughly a size of adjustment either way.

Ordering and returns

Order three to four weeks before the wedding at the latest. Not because stock runs out, but because almost everyone needs one size exchange, and doing that calmly is worth more than saving a fortnight.

UK delivery is free on every order with no minimum spend, and takes around seven working days. Returns are free for 14 days with a prepaid label in the box, so ordering two sizes and sending one back costs you nothing.

Where to look next

If you are in the bridal party rather than the congregation, bridesmaid dresses is the right edit. For the evening reception and the after-party, evening dresses carries the same silhouettes in a darker register. The Wedding Edit gathers the whole wedding wardrobe in one place, and maxi dresses is where to browse by length instead of occasion.